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  3. No. 1 (2012): Supplementum

No. 1 (2012): Supplementum

DOI: https://doi.org/10.38140/aa.v0i1
Published: 2012-01-31

Preface

  • Preface

    Suzanne Human
    i-ii
    • PDF

Articles

  • Music and (re-)translating unity and reconciliation in post-genocide Rwanda

    Gregory Barz
    1-19
    • PDF
  • Art historiography and Bild-wissenschaft: new perspectives on some objects by the Venda sculptor, Phutuma Seoka

    Suzanne de Villiers-Human
    20-42
    • PDF
  • Music production in the intercultural sphere: challenges and opportunities

    Hans Huyssen
    43-71
    • PDF
  • Contextualising ethics in the practice of translator education: the case of the indigenous value system of the Basotho

    Kobus Marais
    72-90
    • PDF
  • Acculturation as translation: mimicry, satire and resistance in Chewa dance

    Grant Nthala
    91-116
    • PDF
  • Indigenisation and history: how opera in South Africa became South African opera

    Hilde Roos
    117-155
    • PDF
  • Luc Peire’s Mwinda Mingi (1955): a Belgian abstract painting on the Congo

    Julien Vermeulen
    156-188
    • PDF
  • After universalisms: music as a medium for intercultural translation

    Martina Viljoen
    189-211
    • PDF

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